So, not a confused customer.

“If you’re with the Brotherhood,” I say, “I’ve paid my dues for the month.” It’s the cost of moving about the city with impunity.

“It’s alright,” the man says. “I’m not with the Brotherhood.”

A raider then?

He takes a step towards me. Then another.

I pull my bowstring back, the wood of my bow groaning.

“I’m not going to hurt you.” He says it so kindly that I want to believe him. But I’ve learned to trust what people do rather than what they say, and he’s not backing off.

A criminal then. Honest people don’t just sweet talk their way into getting closer unless they want something from you.

And whatever he wants, I doubt I’m going to like it.

“If you come any closer, I will shoot,” I warn.

His footfalls pause, and the two of us stand there for several seconds at an impasse.

He’s standing in the shadows between the gaslit streetlamps, so it’s hard to make out what he’s doing, but I think he’s going to leave. It would be the wise thing to do.

His footfalls resume—one, two, three—

I close my brown eyes briefly. This is no way to start a day.

The man begins to pick up his pace as he gains more confidence that I won’t shoot. He’s completely unaware that I’ve done this before.

Forgive me.

I release the arrow.

I don’t see quite where it lands in the darkness, but I do hear the man’s choked gasp, and then I see him collapse.

For several seconds I stay where I am. Only reluctantly do I lower my bow and walk over to him, a hand hovering near the dagger at my hip.

As I get close, I see my arrow protruding from the man’s throat, his blood darkening his skin and the ground beneath him. His breathing is wheezy and labored.

I stare at his face for several seconds as he grasps at the projectile. I don’t recognize him, not that I assumed I would. I guess that’s a relief. My eyes go to the bag he was carrying.

Crouching down, I open it up and rifle through his things. Rope, a crowbar, and a knife. A murder’s starter pack.

Unease skitters through me. Most people who do bad things have their motives—greed, power, lust, self-preservation. It’s unnerving to cross paths with someone who plans on hurting you not as a means to an end, but as the end itself.

The man’s choking breaths slow, then stop altogether, his chest going still.

Once I’m sure he’s gone, I remove my arrow from his body, wiping it off on his trousers before I slip it back into my quiver.

No one will bother to investigate what happened. No one will be punished, and by the time the sun is high in the sky, the body will be moved and the city will soon forget there was ever a corpse in the road to begin with.

Giving the man one final glance, I touch the hamsa on my bracelet and walk away.

I head out of the city and into the hills that lay to the west, trying not to think about the man I killed and what he wanted. Or that I barely paused before killing him.

I rub my forehead and then my mouth. Death is getting easier for me to dole out. That’s … worrisome.

Once I’ve made my way into the rolling mountains, I veer off the road and towards the trees. The sky is just starting to lighten, turning from navy to ash as the sun gets closer to the horizon. Farther up the hill I see the bones of a half-complete house, the cinderblock and corrugated iron frame only partially complete before its owner abandoned the project.

I move towards it, the shell of a house a familiar sight. But it’s not the building I was seeking so much as the trees around it.

Heading over to a pine tree, I pull out my axe and begin to chop away at a thick branch. The wood here makes for good bows and arrow shafts.

Fifteen minutes into my work I hear … something.

I pause, my eyes going to the road. I strain my ears, but the wooded hills are quiet—

Wait.

There it is again. The sound is barely audible. I can’t tell what it is, only that it’s steady.

Probably a traveler.

I move to the nearby house, quietly slipping inside. I’d rather not get into a skirmish twice in one night.

Inside the abandoned structure, dirt, old leaves, and several cigarette butts litter the ground. By the looks of the place, it was built after the Arrival—there are no electrical outlets, nor are there any pipes that might carry running water. Those luxuries we lost shortly after the horsemen came, and try as we might, we haven’t been able to get them back.

I move over to an open framed window, keeping mostly to shadows. I feel like a coward, hiding behind a wall because I might’ve heard something, but after my earlier run-in today, better a coward than a dead woman.

Ever so slowly the sound gets louder, until I can make it out distinctly.

Clop. Clop. Clop.

A mounted traveler.

I peer out the window, the sky now a rosy hue. There’s trees and brush that partially obscure my view of the road, so I don’t see the individual right away. But when I do—

I suck in a breath.

A monster of a man sits on his blood-red steed, a massive sword strapped to his back. There are gold rings in his dark hair and kohl thickly lines his eyes. His cheekbones are high and the scowl he wears makes him look absolutely petrifying.

For a moment, none of what I’m seeing really registers. Because what I’m seeing is wrong. No horse has a coat that red, and no man has that impressive a stature, even in the saddle.

Well, if the rumors are true, then maybe one person does …

I feel myself start to shake.

No.

Dear God above, no.

Because if the rumors about his description are true, then it means that the man I’m staring at might actually be War.

My lungs seize up at just the thought.

And if the rumors are true—

Then Jerusalem is fucked.

A small noise leaves my lips, and War—if that is, in fact, War—turns my way.

I duck back down.

Oh my God, oh my God, ohmyGod.

A horseman of the apocalypse might actually be standing twenty meters from me.

The hoof beats pause, then leave the main road. Suddenly, I hear the clop—clop—clop of them heading up the hill towards me.

I cover my mouth, muffling the sound of my breathing, and I squeeze my eyes shut. I can hear the crunch of dry brush and the horse’s noisy exhalations.

I don’t know how close the horseman gets before he stops. It seems as though he’s right outside the building, that if I stood and reached out the window, I could pet his steed. The hair on my arms rises.

The horse stops, and I wait for its rider to dismount.

Could that really be War?

But why wouldn’t it be him? Jerusalem has been the epicenter of several religions for centuries. It’s a good place to bring about the end of the world—it’s even been foretold that this is where the world ends on the Day of Judgment.

I shouldn’t be surprised.

I still am.

After one long minute, I hear the retreating footfalls of War’s—shit, I guess I’m assuming it really is War—horse.

I wait until the footfalls are sufficiently far away before I gasp, a fearful tear slipping out.

Oh my God.

I don’t move. Not until I’m sure War has moved along.

But just when I think he’s gone, I hear more hoof beats. Several more hoof beats.